“Guys and Dolls” Thrills Music Circus Audience
By James Roberts
“Guys and Dolls” has been
entertaining audiences for close to sixty years, and its latest production at
Sacramento’s Music Circus made it clear why it has lasted so long.
For anyone left who doesn’t know the story of Nathan Detroit, Miss
Adelaide, Sky Masterson, and Sergeant Sarah Brown, this is it,
briefly: Nathan Detroit runs The Oldest Established Permanent
Floating Crap Game in New York, which draws high rollers such as
Sky Masterson and Big Jule. Miss Adelaide, a performer at The Hot
Box club, is Detroit’s fiancée of fourteen years, and she’s still
hoping to marry him—she’d better, because she told her mother they
were married twelve years ago. Sergeant Sarah Brown runs the local
Save a Soul mission, and is a complete failure at redeeming the
gamblers, streetwalkers, hustlers, con artist, and other riff-raff
that inhabit New York City. In an effort to make enough money to
keep his crap game afloat, Detroit bets Sky that Masterson will be
unable to entice Sergeant Brown to have dinner with him—in Havana,
Cuba.
Photo: Matthew Ashford (left) as Sky Masterson and Gary Beach as
Nathan Detroit in the 2009 Music Circus production of “Guys and
Dolls” at the Wells Fargo Pavilion July 21-26, 2009. Photo by Charr
Crail
If you’ve only seen the movie version of “Guys and Dolls” you’re in
for a treat. This Nathan Detroit, played by Tony Award winning
actor Gary Beach, is a bouncier, more comic Nathan. Beach delivers
a performance with just enough shtick to point up the humor without
going over the top. It’s a tightrope performance that in someone
else’s hands might seem overdone or campy, but Mr. Beach makes it
work on all levels.
Heather Lee plays Miss Adelaide, Nathan Detroit’s long-suffering
fiancée. She is the perfect foil for Beach’s Detroit, a singing,
dancing not-really-dumb blond who loves Nathan even though she
knows he’s not trustworthy. Ms. Lee absolutely nailed the part.
High roller Sky Masterson is played by Matthew Ashford. Ashford
plays Masterson with a self-confidence that stops just short of
swagger, and you know that he will win every bet that he makes. He
has a strong singing voice, handles the comedy deftly, and we
absolutely believe that he falls for Sergeant Sarah. After all,
they make beautiful music together.
Montego Glover does a wonderful job
as Sergeant Sarah Brown. When she sang “I’ll Know” I knew that we
were in for a real treat. Her voice is beautiful, and her dynamics
made that song seem like a prayer of longing. She and Ashford sang
and played very well together, and were convincing in their rolls.
Conrad John Schuck (you may remember him simply as John Schuck) was
delightful as Arvide Abernathy. Always a treat to watch, his
rendition of “More I Cannot Wish You” was a moving moment.
Photo: Montego Glover as Sarah Brown and Matthew Ashford as Sky
Masterson in the 2009 Music Circus production of “Guys and Dolls”
at the Wells Fargo Pavilion July 21-26, 2009. Photo by Charr Crail
E.E. Bell and Michael Kostroff played Nicely-Nicely Johnson and
Benny Southstreet, Nathan Detroit’s henchpersons. They did the
title song and along with Kevin Loreque sang the “Fugue for
Tinhorns” (“I’ve got the horse right here, his name is Paul
Revere…”). Bell also took the lead on “Sit Down, You’re Rockin’ the
Boat”. They were perfect comic sidekicks. Also of note were Will
Mann as Harry the Horse, Roger Hoopman as Lt. Brannigan, P.L. Brown
as Big Jule, and Helen Geller as both General Matilda B. Cartwright
and a pick-pocketing nun, and the assorted guys and dolls that made
up the rest of the company.
Technically, the show was
a dream. The minimalist set, with necessary pieces either flying in
from above or being brought onstage in very efficient scene
changes, worked very well, and the round, rotating stage with
several levels that elevate or drop as needed defined the various
scenes quite neatly.
Theater in the round requires the actors be much more mobile than a
proscenium stage, so that the audience doesn’t end up watching
someone’s back for too long. The direction and choreography kept
the action moving without making it seem frantic, and scenes that
might otherwise be too static were impressive in the simplicity and
naturalness of their blocking. Rarely was it necessary to rotate
the stage during a scene to enhance the audience’s view, and that
so subtly that it only added to the moment.
“Guys and Dolls” is described as “a musical fable of Broadway”, and
is based on a story and characters created by Damon Runyon. I’ve
read many of the Damon Runyon stories that these characters
inhabit, and while “Guys and Dolls” retains the flavor and patois
of those stories, these are kinder, gentler criminals than Runyon
imagined. Also, a whole lot funnier—and they can sing, too! Music
and Lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows.
Ably directed by Marcia Milgrom Dodge, choreographed by Bob
Richard, musical direction by Dennis Castellano and Evan A.
Bartoletti was the scenic designer.
Playing at the Music
Circus at the Wells Fargo Pavilion, 1419 H Street in Sacramento,
“Guys and Dolls” runs through July 26 and will be followed by “Into
the Woods” July 28 – August 2, “Seven Brides for Seven Brothers”
August 4 – 9, “Man of La Mancha” August 11-16, and end with “Cats”,
August 18-30. Tickets are available by calling (916) 557-1999 or
online at
www.CaliforniaMusicalTheatre.com Don't miss the California Music Circus this
season!
Photo on Main Page: Gary
Beach as Nathan Detroit and Heather Lee as Miss Adelaide in the
2009 Music Circus production of “Guys and Dolls” at the Wells Fargo
Pavilion July 21-26, 2009. Photo by Charr Crail
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